Monday, September 22, 2014

Q&A with Laura Caldwell, Author of THE DOG PARK (plus Excerpt)

  


It takes more than a goldendoodle to save a marriage. And stylist Jessica Champlin knows it. She and her ex-husband, investigative journalist Sebastian Hess, had too many irreconcilable differences for even their beloved dog Baxter to heal. So they agreed  to joint custody and their lives settled into a prickly normalcy. But when Baxter heroically rescues a child and the video goes viral, Jessica and Sebastian are thrown together again, and her life takes some unexpected twists. Suddenly she's in the spotlight with everyone watching—the press, the new guy she's seeing, Sebastian and the past she never imagined she would face again. Soon there is only one person by her side – and it is the person Jessica least expected. She is willing to open up to as new normal…just as long as Baxter approves.

 
Quite a departure from Laura Caldwell's legal thrillers! The Chicago-based lawyer turned novelist is known mainly for her critically acclaimed murder mysteries (Look Closely, The Good Liar, The Izzy McNeil Mystery series), but she's now back on the scene  with a fun new romance that pet-lovers will adore. Laura is on the blog to talk more in detail about her latest  release, THE DOG PARK (Mira, July 2014), and to share with Mina's Bookshelf's readers a juicy excerpt. Enjoy!

Q&A with Laura Caldwell


Describe your latest book in 15 words or less.
 
THE DOG PARK is about a couple who shares joint custody of their dog who becomes suddenly famous when a video of him goes viral.


What inspired you to write THE DOG PARK?

 
I’d been writing mysteries and thrillers for a while, including six books featuring my series character, Izzy McNeil. I had one book left in my contract and started plotting the seventh. At the time, I had just gotten my puppy, Shafer, and was head over heels. My publishers pointed out that my social media posts and photos had gone from books and mysteries to dogs and dogs and dogs. And they had an idea — why not write a novel involving a dog? A great beach book, something fast-moving and a little sexy. And maybe, just maybe, a happy ending. I was in.


In THE DOG PARK, we meet Baxter, a loving and lovable goldendoodle. Is there a real-life Baxter? Who were the doggie models for Baxter?

My dog, Shafer, was a typical goldendoodle puppy — adorable and friendly. And she was a big walker, so we walked all over the city, good weather or bad. (I live in Chicago and so Shafer, like the rest of us, had to wear boots and eight layers and complain as little as possible.) Shafer met people everywhere. And after she started spending a few days a week with a well-known dog walker, she started to know people on the street I’d never met. I wondered what it would be like if Shafer herself became really well-known. Say from a video or something. Baxter from THE DOG PARK was formed.

Jessica Champlin seems fond of adorning Baxter in flashy accessories. How does your furry friend feel about such snazzy duds?

Shafer seems to feel good about sparkly collars but put her in a coat and gives me about 20 minutes.

What are you doing to reach out to readers and dog enthusiasts?

Every book signing has been dog-friendly and encouraging. We had them at pet stores and boutiques that allow dogs. We gave part of the proceeds to rescues and I did a promotion at a PAWS 5K run.

If you could compare your dog to any celebrity, living or dead, who would it be and why?

Shafer is her own celebrity! She knows she should update her Twitter page more often. But she makes people happy wherever she goes. She loves to work a crowd at the beach.

Why did you choose to make a dog the central character of the novel?

We wanted THE DOG PARK to be entertaining and fun, but my publisher really wanted a book with strong characters and strong relationships. Shortly into the book, I realized that Baxter, the dog whom I’d seen as more of a sub character (albeit one who drives much of the action), was definitely much more. Just like a lot of our pets, Baxter is a creature with his own personality. His own preferences and tastes and quirks.

What do you read for pleasure?

Right now I'm reading The Goldfinch by Donna Tartt. I started it a few times and put it down. Now that I’m into it, I look forward to reading it all day. That’s one of my favorite feelings in the world. I’m also looking forward to reading The Fortune Hunter by Daisy Goodwin.

What do you hope readers will take away from the book?

Overlaying all of the book is the profound, and yet often profoundly different, relationship that each different person has with their dog. There’s also the fact that social media has changed everything. It’s thrilling, but a little jarring and scary, to think that a person can be unknown at breakfast and trending on the news that night.

What was most difficult about writing THE DOG PARK?

Reliving when Shafer was hit by a car. But it was cathartic.

What’s next for you? Are you working on anything new?

Anatomy of Innocence, an anthology pairing thriller writers with exonerees to tell the story of how wrongful convictions happen.

How was writing THE DOG PARK, a contemporary romance, different from your previous mystery and thriller work?

I couldn't help but have long-buried secrets revealed. You never get the mystery writer out of your blood.

What was your favorite scene in THE DOG PARK?

I love the first scene – the post-divorce banter, the love of the dog.
 
 



About the book
 
 
THE DOG PARK
by
 Laura Caldwell
 
Harlequin MIRA; July 29, 2014
Paperback and ebook, 352 pages
Chick Lit, Contemporary Romance, Women's Fiction
 
 
 

 

About the author
 
Laura Caldwell has established herself as a force to be reckoned with. Born in Chicago, Laura attended University of Iowa and Loyola Law School. After a year or so of practicing law, she started to feel a lack of creativity in her life - and began to write. After a few years, she took an extended sabbatical to focus on her writing. Since her debut in 2002, Laura has written mysteries, legal thrillers, women’s fiction, and non-fiction. In 2005, Laura returned to practicing law to defend a young man charged with murder. This case inspired her to start Life After Innocence Project at Loyola University Chicago School of Law and also became the subject of Laura’s first work of non-fiction, LONG WAY HOME (2009). Laura is currently a Distinguished Scholar in Residence at Loyola University Chicago School of Law. 

Excerpt from The Dog Park by Laura Caldwell


“Jess, enough with this, okay?” Sebastian said in a weary-trending-toward-cranky tone. He held out a small bag that read Neiman Marcus. My divorced mind ruffled through a few statements and questions — What is it? He never used to shop at Neiman Marcus. Judging by the size of the bag it would have to be an accessory. Jewelry? For me?

But the tone of my ex-husband’s voice had pretty much eliminated the possibility that it was a gift. Also, Sebastian hadn’t bought me jewelry in a long while, and except for my engagement ring, Sebastian never bought jewelry in the United States. Always it was when he was overseas, on a story. Like the beaded chandelier earrings from a country in Africa I’d never heard of and the vintage Iraqi headdress that I wear as a necklace.

Baxter — our blond, fluffy dog — was in my arms. I kissed him on the head. “I missed you, Baxy,” I said. “I missed you so much.”

He licked my chin, and his butt squirmed as he wagged his tail. Baxy’s fifteen pounds of dog against my chest was the most comforting weight in the world to me. When I finally put him down, he tore into my bedroom where he had toys stashed under a chaise lounge, which he hadn’t seen in a week while Sebastian had him.

As Baxter rounded the corner, I looked in the bag. I laughed.

“It’s not that funny,” Sebastian said.

“Oh, c’mon.” I lifted from the bag Baxter’s blue collar and leash that I had sewn gold stars onto — stars that had come from an old Halloween costume of Sebastian’s.

The party had been Harry Potter-themed, and as much as Sebastian would normally have dismissed it as ridiculous, it had been hosted by a journalist he had always emulated. And so Sebastian had been a wizard, dressed in a purple robe with stars and a pointed hat. It’s not that he hadn’t pulled it off, I just liked to needle him when I could. I also liked the idea of a guys’ guy like Sebastian having to walk around with a dog in bedazzled gear. Or maybe I hoped the goofy collar could lessen the pain of our weekly exchange — Here’s the dog back. It’s your turn to take care of this thing we both love like a kid, the dog we got when we were trying to keep our marriage intact.

“I mean, why would you even spend your time doing something like that?” Sebastian asked.

“You know that’s what I do, right?” I said. “I’m a stylist. I style.”

Sebastian said nothing.

“I don’t know why I’m surprised,” I said. “It’s not like you ever took my job seriously.”

“Jesus, Jess, that’s not true. Why do you say that?”

“I’m a stylist. You’re a journalist. You’re the legit one.”

“You’re saying that. Not me. I never said that.” Sebastian scoffed and shook his head.

Here we were again — in the ruts of a much-treaded argument.

He pointed at the bag. “That stuff is not what you do with your styling business anyway. You dress people.”

“Do you even know what that means?”

Why did I do this? What made me want to bug him, to try and draw him into this crap?
Because it’s all you have left.

That was the thought that answered me, and it rang like a bell, a few loud chimes. Then the sound died into the distance, drifting away, just like we had done.

The strong muscles of Sebastian’s jaw tensed, clenched. He ran a hand over his curly brown hair that was cut extra short for the summer. “Of course I know what that means. To an extent.”

In total, Sebastian and I had known each other for seven years — five of them married, the last of them divorced — and yet we still didn’t have a handle on what the other did for a living. Sebastian deliberately withheld, and so I guess I did it, too, in retribution.

“Look, Jess—” Sebastian fake-smiled “—we’re talking about the collar, right?”

I looked in the bag. “The collar and the leash.” I picked them up and jangled them together for effect.

“First of all, look at those.” Another shake of his head. “Baxter is a boy. Hell, he’s three years old. Bax is a man now.”

At the sound of his name, Baxter tore into the kitchen and dropped a white rubber ball at our feet, his tail thumping. Throw it for me, I could hear him thinking. C’mon, throw it for me.

Like a true child of divorce, Baxter always seemed to know when to deflect the situation.

I picked up the ball and threw it down the hall. He scampered after it, sliding a little on the hardwood floors.

“He’s a man who likes this collar and leash,” I said, lifting the bag a little.

“How do you know he likes it?”

“He prances around.”

“Baxy does not prance,” Sebastian said.

“You know he does.”

I both hated and loved the familiar feel of the conversation, the verbal poking at one another.

“He’s a fifteen-pound prancing machine,” I added, another jab.

“He only prances,” Sebastian pointed out, “when he’s really happy.”

“Exactly. And he prances when he’s wearing that collar. Point made.”

Sebastian just looked at me.

“Anyway…” I said, then let my words die.

“Anyway,” he repeated.

A beat went by. Baxter ran into the kitchen again, dropped the ball. He was a mini goldendoodle — a mix of golden retriever and poodle — and the golden part must have had strong genes because the dog would retrieve all day if we let him.

Sebastian lifted the ball, tossed it again.

“Baxter brought something else back,” he said, pointing at the bag.

I looked inside again. A white plastic bag was folded over and lay at the bottom. I picked it up and lifted a cellophane bag from inside. “Rawhide,” I read from the package. “Huh.” I looked at it — half-eaten. I looked back up at Sebastian. “Did you feed him this while he was with you?”

Sebastian raised his eyebrows, gave a slight smile.

That mouth, with its fuller bottom lip. It still got me sometimes. There was the rest of Sebastian, too — the strong body, wide shoulders and long arms that felt so good wrapped around me. But it was that lip most of all that used to get me. I ignored it, looked instead somewhere in the area of his forehead.

“You know that’s like giving your kid a bowl of taffy?” I said. “It’s completely unhealthy.”

“He’s got to eat more than raw chicken and raw eggs,” Sebastian said.

“That was one week that I did that!” I said. “One week.”

I’d been led by our dog trainer to give Baxter a raw diet, lured by the promises of a glossy coat and exceptional health. But when you have your dog every other week, raw foods are hard to keep around all the time. (And kind of unpleasant to serve.)

Sebastian sighed a little and searched my eyes with his. But then he opened his mouth. “I’m on my way to the airport.”

Wounds, no longer old, felt jabbed, hurt again. Sebastian was a war correspondent, one of the most well respected. His job had long been our sticking point — his need to go overseas, and his agreeing to not tell anyone, including his spouse, where he was headed. I knew military spouses had to deal with that, but I hadn’t married military, and I hadn’t realized the extent of his investigative writing — the embedding with the troops, the being in the middle of the action.

So he was off once more. I knew better than to ask where he was going.

But apparently he felt some kind of duty to try and make nice. “It’s a small conflict.”

A “small conflict” could mean a bloody, ruthless battle in a small Middle Eastern territory. But “small conflict” did not mean small casualties. Sebastian himself had returned from a “small conflict” with a gash across his collarbone that looked a lot like someone had tried to cut his throat. He still hadn’t told me what had happened.

I still didn’t know where he’d been because the newspaper never published his piece for whatever reason.

Baxter ran back into the foyer, a blue earthworm toy hanging from his mouth.

“C’mere, Dogger,” Sebastian said. His own nickname for Baxter. He picked him up. “I suppose you’re going to the dog park now?” he asked me. I thought I heard another small sigh.

“You know that you can still go to the dog park, right? I didn’t get that in the divorce.” I paused, made my voice kinder. “I don’t know why you don’t go when he’s with you.”

Sebastian shrugged, petted Baxter. “I thought I would find a park by my neighborhood. But they’re not the same. He doesn’t have his buddies.”

I stayed silent. Even when we were together, I was the one, more than Sebastian, who took Bax to the park. And even when Sebastian did, he didn’t often talk to the owners of Baxter’s dog buddies, like I did. Sebastian was intent on quality time with the dog, throwing Baxy’s ball over and over, then having him sit and stay for minutes on end before he could retrieve it. He taught Baxter tricks that his father had taught their family golden retrievers over the years. We got the dog shortly after his dad died.

So it seemed obvious to me that Sebastian could continue to do those things in another park. I hadn’t expected him to miss the park that we went to, as he apparently did. But I guess change is tough for everyone, even a tough guy like Sebastian.

He stood. “I should go.”

I knew better than to ask when he’d return, because I knew the answer. When I have the story. That’s what he always said.

I used to think, Why aren’t we your story? I want to be your story.

We had made a plan — move from New York, where we were living at the time, to Chicago (his hometown) where he would work as a regular journalist. It “worked” for a little while. A year or so. But ultimately Sebastian couldn’t stop. He couldn’t explain why, but he had to be the correspondent who crossed enemy lines in the middle of the night. I encouraged him to let me in. Keep the job, I’d said. I’d get used to worrying about him, I’d told him. That was okay. But bring me into the fold, tell me what you do, what you feel when you’re there, how I can support you when you’re here.

He decided that it would be breaking confidences and so he couldn’t tell me — not about the stories he was covering, where he was covering them or who he was covering them with. I could read the pieces in the paper, usually a day or two ahead of everyone else. So I would know then, for example, that he’d been in Afghanistan, embedded with a Navy SEAL team that took out a top-level terrorist. I would also read the byline and see that he sometimes had cowriters. But he couldn’t fill in any blanks. He couldn’t answer questions. And if the story had been killed and never published, he couldn’t give me any clues. Or he wouldn’t. Same thing.

His inability showed me the gaps in our relationship. I had to decide if I could live with the not knowing, the having to make a leap of faith to trust him, when the fact was I knew little about how my husband spent his professional life. And, therefore, much of his life.

I decided I couldn’t do that. Or maybe I just couldn’t live with the disappointment of not having the kind of love I wanted. I’d thought that with Sebastian I’d had the kind of love my parents had, the kind I’d felt once before. But neither turned out to be true. And eventually, with Sebastian, the ball I’d been pushing uphill for so long started to roll back over me.

Now I looked at Sebastian, said nothing, just stared into his eyes, and some bigger strength kicked in. I was past that, I told myself. I was way past it, and I was past him.

I’d started my life over once before. And under much, much, much worse circumstances. I knew I could do it again. I could survive.

Neither of us said anything. But I felt a joint sense of tiredness. We’re done.

“Okay,” I said, just to say something.

When Sebastian didn’t reply, the moment of pause gave me time to make a decision. I decided then I wasn’t just going to survive. I was going to thrive. I was going to come alive.

Right now. Those words intoned through me.

And suddenly it seemed clear what I had to do right then, how I had to conduct myself going forward. There would be no more seeing life as an endurance exercise. No more considering dates just because a software program told me I should. I wouldn’t just react to Sebastian or the lack of him. I would stop seeing everything as a reminder of the lives past. I would open my eyes and see things differently.

I would be different.

“Have a good trip,” I said, and I opened the door.

Excerpted from the book THE DOG PARK by Laura Caldwell.  Copyright © 2014 by Story Avenue, LLC.  Reprinted with permission of Harlequin.  All rights reserved.
 
 
 
***With many thanks to our friends at MM Media Relations for providing content and material!

 

Saturday, September 20, 2014

And the winner is...

 
Congratulations are in order for
 
LADY BIBLIOPHILE
 
who's the lucky winner of a copy of Madame Picasso by Anne Girard.
 
 
 
Lady Bibliophile, please look for my notification in your email. I would like to thank all the nice followers who entered the contest and invite you to stay tuned for more reviews and giveaways.
 
Best wishes to all!

Monday, September 8, 2014

MADAME PICASSO by Anne Girard: Review & GIVEAWAY

MADAME PICASSO
Author: Anne Girard
Release Date: August 26, 2014
Published by Harlequin MIRA
Formats: eBook, Paperback, 432 pages 
Genre: Historical Fiction
My rating: 5 out of 5 stars

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READ AN EXCERPT.

About the book

The mesmerizing and untold story of Eva Gouel, the unforgettable woman who stole the heart of the greatest artist of our time.

When Eva Gouel moves to Paris from the countryside, she is full of ambition and dreams of stardom. Though young and inexperienced, she manages to find work as a costumer at the famous Moulin Rouge, and it is here that she first catches the attention of Pablo Picasso, a rising star in the art world.

A brilliant but eccentric artist, Picasso sets his sights on Eva, and Eva can't help but be drawn into his web. But what starts as a torrid affair soon evolves into what will become the first great love of Picasso's life.

With sparkling insight and passion, Madame Picasso introduces us to a dazzling heroine, taking us from the salon of Gertrude Stein to the glamorous Moulin Rouge and inside the studio and heart of one of the most enigmatic and iconic artists of the twentieth century.

My Review

A consuming and intense read, as it can be expected from a novel based on the love life of the most extraordinary artist of the 20th century: Pablo Picasso.

Founder of the avant-garde artistic movement known as Cubism, the Andalusian painter depicted reality from a multiplicity of viewpoints: he chose a subject, he analyzed it, dissected it, and reproduced it on canvas in the abstract form of simultaneous perspectives.  Art critic John Berger identified the essence of Cubism in these words --  "The metaphorical model of Cubism is the diagram: the diagram being a visible symbolic representation of invisible processes, forces, structures." Picasso's life, moods, sensuality, obsessions, ideological questions are symbolized in his art, but they are hidden in the allegorical and distorting mirror of broken images.

In those invisible aspects of reality, in those hidden patterns of the artist's life, Anne Girard found the narrative power source for her novel, Madame Picasso.  The story's concern with the untold truths about Picasso's inspirational muse and lover, Eva Gouel, is heartfelt and soul-stirring: it shows in Girard's atmospheric and moving prose, in her evocative and visually accurate descriptions, in the narrative framework that is as historically sound as it is  imaginatively vivid.

Picasso was famed for honing his lover skills on a copious number of women: the frantic and ambivalent nature of his artwork extended to other areas of his life, bringing the alluring quality of his brooding sensuality from the canvas to his personal affairs. Girard's historical novel immortalizes the avant-garde artist in a turn-of-the-century Paris (1911-1914), when his stardom was on a consistent rise and his love life was on a turbulent path with married and statuesque Fernande Olivier. A fortuitous encounter with Moulin Rouge costumer, Eva Gouel,  left an indelible mark on the existence and artistic inspiration of the bohemian painter and sculptor. Strangely enough, Eva became the subject of several Picasso's Cubist works, but among his classically sketched portraits there is no trace of her. What the author argues with the lush and shimmering strokes of her pen, is that the innocent and petit country girl with massive blue eyes, auburn hair, fiery and independent heart, might just have been the biggest love of his life, and that Picasso's devotion and desire to protect her, through their most incandescent love trysts as well as during the darkest hours of her life, are concealed behind his enigmatic creations.

The seductive and intellectually pulsing environment complementing the love story is portrayed with a plethora of historical references to the remnants of La Belle Epoque (the bohemian poets, the literary salons, Guillaume Apollinaire, Max Jacob, Gertrude Stein, Alice Toklas, the Salon des Independants, the Moulin Rouge) that beautifully enhance the unrestrained and sweeping nature of Eva and Picasso's relationship.

"For many of us, conformity is impossible."

***Review copy graciously offered by the Publicist in exchange for an unbiased and honest opinion.

GIVEAWAY
One paperback copy of Madame Picasso is up for grabs! Please, become a follower of this blog (GFC or Bloglovin), and leave a comment below, including your email address, for a chance to win. The contest is open to US residents only. Good luck!

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Praise for Madame Picasso


"Early twentieth century Paris and Picasso's lost love come to enchanted, vivid life in Madame Picasso. With a deft eye for detail and deep understanding for her protagonists, Anne Girard captures the earnest young woman who enthralled the famous artist and became his unsung muse." - C.W. Gortner, bestselling author of THE QUEEN'S VOW

Buy the Book


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About the Author



Anne Girard was born with writing in her blood. The daughter of a hard-driving Chicago newsman, she has always had the same passion for storytelling that fueled his lifelong career. She hand-wrote her first novel (admittedly, not a very good one) at the age of fourteen, and never stopped imagining characters and their stories. Writing only ever took a backseat to her love of reading.

After earning a bachelor's degree in English literature from UCLA and a Master's degree in psychology from Pepperdine University, a chance meeting with the acclaimed author, Irving Stone, sharply focused her ambition onto telling great stories from history with detailed research. "Live where your characters lived, see the things they saw," he said, "only then can you truly bring them to life for your readers." Anne took that advice to heart. After Stone's encouragement twenty years ago, she sold her first novel. When she is not traveling the world researching her stories, Anne and her family make their home in Southern California. When she is not traveling or writing, she is reading fiction.

Anne also writes historical fiction under the name Diane Haeger. For more information, visit www.dianehaeger.com. You can also find her on Facebook, Twitter, and Goodreads.



Madame Picasso Blog Tour Schedule


Monday, August 25

Tuesday, August 26
Interview & Giveaway at Flashlight Commentary

Wednesday, August 27
Review & Giveaway at Peeking Between the Pages
Interview & Giveaway at Historical Fiction Notebook

Thursday, August 28
Review & Giveaway at Words and Peace
Review & Giveaway at Kinx's Book Nook

Friday, August 29
Review at Scandalous Women

Monday, September 1
Review at A Bookish Affair
Spotlight & Giveaway at Passages to the Past

Tuesday, September 2
Review & Giveaway at Luxury Reading
Interview & Giveaway at A Bookish Affair

Wednesday, September 3
Spotlight & Giveaway at Susan Heim on Writing

Thursday, September 4
Review & Giveaway at The Maiden's Court

Friday, September 5

Monday, September 8
Review at Book of Secrets
Review & Giveaway at Mina's Bookshelf

Tuesday, September 9
Review at A Chick Who Reads

Wednesday, September 10
Review at Books in the Burbs

Thursday, September 11

Friday, September 12

Monday, September 15
Review at Layered Pages
Review at Carole's Ramblings

Tuesday, September 16

Wednesday, September 17
Interview & Giveaway at Let Them Read Books

Thursday, September 18
Review at One Book of a Time

Friday, September 19
Spotlight & Giveaway at So Many Precious Books, So Little Time

Monday, September 22
Review & Giveaway at Broken Teepee

Tuesday, September 23

Wednesday, September 24

Thursday, September 25
Review at Kincavel Korner

Friday, September 26
Interview at Kincavel Korner

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Thursday, September 4, 2014

The Traitor's Wife by Allison Pataki: A Review



THE TRAITOR'S WIFE
A Novel
by
Allison Pataki
Published by Howard Books, February 11, 2014
Paperback, ebook, 496 pages
Historical Fiction, American Culture
 
My rating
4.5 out of 5 stars

My review
After his betrayal became public, Benedict Arnold's name came to be synonymous with traitor. Benjamin Franklin even wrote about him, "Judas sold only one man, Arnold three millions." His entire life was described by biographers as treacherous and morally questionable: his name, whether mentioned by social historians or fiction writers, still today carries a strongly negative overtone. Arnold was, in fact, the American general who, while serving in the American Continental Army during the Revolutionary War, defected to the British side.  In command of the fortification at West Point, he planned to surrender it to the enemy's forces. When Arnold's plan was exposed in September 1780, he was commissioned into the British army as a brigadier general. Bizzarely, in a letter to Washington, he claimed, "Love to my country actuates my present conduct, however it may appear inconsistent to the world, who very seldom judge right  of any man's actions."


Arnold's second wife, Peggy Shippen, a socialite born in a prominent Philadelphia family with loyalist tendencies (she was the daughter of famous Judge Edward Shippen), played a significant role in her husband's conspiracy. She orchestrated it, to be more precise. After documents proving the general's plan to surrender the critical army base were exposed (following the arrest of Peggy's paramour John AndrĂ©, the British major who carried those incriminating papers in his boots), Peggy Shippen Arnold fled to London with her turncoat husband. It is around this controversial figure that Allison Pataki crafted her debut historical novel, The Traitor's Wife, a fictional account of the most infamous act of treason and the love-triangle that threatened to compromise the American fight for independence. 

"Peggy Arnold can take care of herself. She can play the role of siren, laughing, and flirting, and dancing until she's clouded the judgment of every man in the room. No one will suspect a flower of such a beautiful bloom to conceal a serpent underneath. She can manage it. She can manage anything."

Peggy Shippen, described by historians as quite pretty, smart, and a favorite among the young officers in Philadelphia (both British and Colonialist), is expertly portrayed by first-time author Allison Pataki with the vividness, the antics, and all the drama  of an unsufferable, scheming, spoiled, and unsympathetic character. Absorbed in a world of silk, lace, and British officers, Peggy takes the stage with her frivolous and reckless personality, triumphing under the heady glow of male attention. But if on one hand she shows a superior acumen and extraordinary savoir-faire for a woman her age (you will enjoy the wit and bite of her lines), her openly loyalist tendencies come through as clearly mercenary and fueled by personal vanity rather than a genuine political vision. And to vanity she appeals to seduce and corrupt General Arnold, a nice and humble American hero who had single-handedly turned the tide of the entire war with his bravery.

"This Philadelphia society may be genteel, but it's not tame. In fact, sometimes it makes the French court at Versailles seem like a nunnery in comparison."

Conspiring with her former lover John AndrĂ©, Chief of British Intelligence, "a man who could charm the boots off the devil", Peggy manipulates Arnold into thinking that it wasn't him betraying his country, but rather the other way around. Arnold had personally financed George Washington's military campaigns, but the Continental Congress had been unable to compensate him for his generosity and devotion to the colonialist cause. Lack of monetary gratification was the Achille's heel that turned the Saratoga hero into a resentful spy. Peggy's seductive power was his undoing.

It's from this unapologetic characterization of notorious historical figures that the cinematic resonance stems and relentlessly imbues the novel. The narrative perspective Pataki chose to set the whole story in motion is the perfect light source to intensify shadows and lights of each and every character involved: the focal point is Clara  Bell, Peggy's lady's maid. Clara Bell is an entirely fictional character, but her narrating voice has the credibility and the motivation of an unnoticed observer, whose blind obedience is taken for granted and abused. She watches her mistress' plans of treachery unfold throughout the novel and, ultimately, she plays a crucial role in the battle.


Skilfully plotted and well-executed.

Allison Pataki — daughter of former Gov. George Pataki — has sold the screen rights to her book, “The Traitor’s Wife,” to Princess Pictures, run by former Goldman Sachs exec David B. Ford, and Pamela Fielder.
Princess will team up with “True Detective” producers Anonymous Content on the project.


***Review copy graciously offered by the publisher via NetGalley in exchange for an unbiased and honest review