KISS OF THE GOBLIN PRINCE (Shadowlands #2) by Shona Husk
Mass Market Paperback, 338 pages
Published
May 1st 2012
by Sourcebooks Casablanca
Genre: paranormal romance novel, fantasy
Rating : 5 stars
From now on Shona Husk will
always hold a pole position in my gargantuan TBR list: I fell in love with the
fertile imagination, fluid prose, and introspective sensitivity of this Australian
paranormal, fantasy novels author. My
only regret, if any, is that I should have started my journey through this
captivating Shadowlands series with the
novella ”The Summons: A Goblin King
Prequel” and the first full length
installment “The Goblin King”, in order to fully appreciate the fairy-tale
world structure that holds together The Shadowlands (a desolate land populated by
the heartless Goblins), The Fixed Realm (our world), and The Birch Foundation
(a mysterious organization that facilitates the transition between these two
worlds). Reading the series in this order would have certainly helped me to
understand from the start the main characters’s backstories, the role played by
the secondary characters, and the
connections existing between them. These introductory readings add to
the enjoyment of a book that can be read as a stand-alone, anyway, without loosing any of its alluring qualities.
Amanda Coulter is a young widow
who has given up on happiness after the sudden death of her husband. She works as a youth counselor at the local high-school
and her daughter, Brigit, is affected by severe asthma. At the wedding of her
sister-in-law Eliza, Amanda meets the enigmatic and fascinating Dai King. Sparks of attraction fly immediately between
them. Dai is Eliza’s husband’s brother. He’s apparently a normal young man, a Welsh
scholar, world traveler, and an expert of ancient civilizations and dead languages. In
reality, Dai is a Celtic Prince, as old as our civilization, a man who has been
spending the past 2,000 years fighting against Romans, Druids, and Goblins,
before breaking a curse and being reintegrated in the XXI century Fixed Realm (our
world) as a free human, like his brother Roan.
Dai is physically and emotionally
scarred: in order to protect his younger sister Mave from the perverse attentions
of the Roman General Claudius, he had to endure Claudius’ vicious tortures and
abuses. Dai was eventually cursed by the King Goblin and
held captive for centuries in the Shadowlands, only to endure more unspeakable
acts of violence from the Goblins and to be turned into a goblin himself. He used to be a mage, a man endowed with
magical healing powers, but now that his curse is broken and he is back in the
Fixed Realm, he is straggling with his new identity provided by The Birch
Foundation and a deep sense of dislocation.
In the transition between worlds
he had to leave behind most of his treasures, but what bothers him the most is that he cannot get a
hold of that wealth of knowledge he has accumulated over the centuries: all his books about magic are being retained
by The Birch Foundation and without them he feels like he cannot recall his
magical powers.
The Shadowlands series fictional worlds are built
on the assumption that our universe is ruled by magic and held together by
invisible strings: Dai and his brother Roan are able to control them in order
to manipulate the fabric that makes the world. I like the way Shona Husk opens
her slow-paced narration describing the chemistry and the bond existing from
the start between Dai and Amanda. They are both initially unaware of the magical
golden threads connecting their souls;
although drawn to each other, they’re both very tentative at the
beginning of the story and they will keep being hesitant for a good part of it.
The emotional baggage made of sorrow, secrets, family tragedies, and
responsabilities they both have to carry is too heavy for them to be rid of it
and yield to emotions and desire, let alone love, no matter how bad they both
need it. Dai has been “out of touch with
the world for too long…to obsessed with
the dead and obsolete.” Amanda can perfectly relate to his emotions, because
she has been holding on her deceased husband’s memory for years, without being able to move on and look forward to another love
relationship.
They are both very likable
characters: the tortured and troubled soul Dai, the calm and caring counselor
Amanda. It seems to be like a very good characters combination, perfect
material for a sweeping and soulful romance. Dai’s numerous scars make him insecure: he’s
afraid Amanda will loath him and reject him because of them. The dark secrets
of his real identity and his past hold him from revealing his feelings for her,
although the attraction is slowly consuming him. The biggest obstacle standing in the way is in his chest in the
form of talons clutched around his heart, a magical grip placed there by the evil King Goblin
as a reminder of the evil Dai has been a victim of and a perpetrator.
Forgiveness is the only remedy that could set him free, but he is still
prisoner of his resentment: the hideous tortures he has suffered for centuries
fuel his hate and give strength to the King Goblin’s grip. Dai’s decision to remain celibate and avoid any kind of
physical touch with other creatures
poses an interesting challenge to his attraction for Amanda, but it also helps
to build up an intoxicating and heart-melting sexual tension between them. They
seek physical contact every time they meet, they haunt each other’s dreams,
they leave each other breathless with stolen kisses and caresses, they hold
hands interlacing their fingers in a promise of scorching sensuality, without
abandoning themselves to a complete enjoyment. Every time they seem to be ready
to get closer and open their hearts, their past stands in the way and breaks
the momentum, prolonging that sweet torture up to the last chapters of the
novel, when the barriers will finally break down and the two lovers will find an extremely
gratifying release. As a whole, action and major developments are pushed at the
end and my feeling is that the author aims to set up the scene for the sequel
rather than advance the plot of this installment. The Kiss of The Goblin Prince
mainly focuses on Dai’s and Amanda’s quest towards emotional freedom and
self-forgiveness, in a pattern of healing that will involve also Amanda’s
daughter. I really appreciate this introspective tone and character development
versus an action-driven storyline.
I personally loved the way Shona
Husk uses the idea of the invisible threads to describe the different kinds of
connection existing between characters and their world: gold strings binding
Dai and Amanda, gray and thin strings connecting Dai and The Shadowlands,
colorful and numerous strings connecting Amanda and her ill daughter Brigit,
loose and pale strings connecting Dai to his brother Roan, fine as spider silk
the strings connecting Dai to Brigit. Shona Husk did a great job building Dai’s and Amanda’s
characters, painting them with the brushes of her rich and sensuous prose and
the great emotional impact of her narrative style. I simply loved Husk’s
description of Dai as a man in pieces
like an image reflected in a broken mirror, a
dislocated man who needs to borrow a life in the same way he needs to
borrow furniture in order to start all over again and live in a different world, a man who has been
studying hundreds of dead languages for century, but who will remain speechless
in front of the woman he loves. I loved the fact he is a book hoarder, spending
a good part of the story in the search of his magic books, when the real magic
is in his own body (written all over with tattoos and undecipherable spells just
like a book) and in his love for Amanda.
I think this review is as good as this book sounds!
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